居 . 注-王海川作品展展讯

The Note of Staying -Wang Haichuan Solo Exhibition

展览时间: 2010年7月10日－2010年8月25日

Date: July 10,2010- August 25,2010

开幕酒会: 2010年7月10日星期六下午4-6时

Reception: 4pm-6pm,Saturday,July 10th,2010

主办: 高地画廊

Host: Gaodi Gallery

开放时间: 11:00-18:00（星期二至星期日，周一休息）

Opening Hours: 11am-6pm ( Tuesday-Sunday, Monday By Appointment Only )

地址: 中国北京市朝阳区酒仙桥路2号798艺术区706北四街B10

Venue: B10,706 North Forth St.,798 Art Zone,No.2

Jiuxianqiao,Chaoyang District, Beijing, China



视觉艺术出身的王海川曾经多年从事建筑和景观设计。而这批作品的出现也是有这样一个历史机缘在其中。在他的作品中，绝无人的出现，对于建筑和园林的描述，人们很容易将这些作品看作是一些风景绘画的陈词滥调。但是事实并非如此。从2008年开始，艺术家最先描述的是那些纪念碑性质的建筑。而后将触角涉及到正在蓬勃崛起的各种高档小区之中。如果不考虑画面上的滴洒，我们几乎可以将这些图像视作是建筑画。但是这些作品的观念恰巧出现在这些非绘画性的因素之中。这些单色的画面，使得来自真实场景的景物变得虚假；拒绝了人的出现则是让这些本来应该人性化的东西变得更加没有“人性”，而显得象舞台上的空洞、单薄的摆设。而这些单色的滴洒，则不断的提示着我们，这些美好的虚伪性，以及艺术家试图破坏或者穿透它们的企图。王海川的作品是将那些美好的私人生活和和谐社会的表征毁灭给我们看。但是其方式却是平凡而普通的。其作品中试图磨灭现实的质感而替换以时间的陈迹。­­-



Wang Haichuan, whose major was visual art, used to work in the field of architecture and landscape design for many years. In his works, there are no figures. People tend to regard these works as cliches of landscape painting because of his portrayal of buildings and gardens. But the fact is not like that. Since 2008, artists first portrayed those monuments, and then he spread to all kinds of high-class compounds. If we ignore the brush strokes in the picture, we can almost consider these images as architectural paintings. However, the conception of these paintings happens to be in these non-painting elements. These single-colored pictures make things from the real scenes become fake. The absence of people in the pictures makes these humanized things lose their “humanities”; they look like the empty and simple decorations on the stage. Those single-colored brush strokes continuously remind us of the fakeness of the beauty and the artist’s attempt to destroy or penetrate it. Wang Haichuan’s works destroy the superficial characters of those beautiful